Today is Bastille Day. Vive La France! To celebrate this event, I went to see Pixar’s Ratatouille. More about that later. In other news, and this is for MK:
Ani DiFranco never fails to brings the ladies and a few sensitive dudes to tears or soft, gentle whimpering with her honest lyrics, music, and tight body. Anais Mitchell opens. Her folk-rock tunes of love gone gosh darn crummy start at 8 p.m. at the Warfield, 982 Market (at Fifth St.); Tickets are $40.50.
I stopped listening to Ani circa 2000. The most I ever paid for her concerts was $22. My college roommate used to go see her in clubs in NYC for free. I realize $40 is not nearly the same type of inflation you now get with really famous bands (you don’t want to know how much we are paying to see The Police in Fenway Park), and that musicians need to eat too, but this is sad.
Oh yeah, Ani - there was only so much tragic whining I could handle. Plus, she stopped being intriguing when she got married. That ended in divorce, yeah? I am happy she is still making music, and there are still people coming to ogle her tight body. Maybe if I listen to her again now (her new stuff, I mean) I might like her again. I should experiment.
But back to rats in the kitchen. In his excellent book The soul of a chef: The Journey Toward Perfection Michael Ruhlman says the following:
“When we braise meat, we can if we choose, connect ourself with everyone who has ever braised meat and everyone who will ever braise meat…to connect to that same pleasure, that amazement, to connect to that same gratitude. This is the kind of satisfaction that people who truly love to cook are after. We seek, in our collective struggle, to learn more and to cook better, but we are in fact reaching for that connection to humanity that we’ve lost or maybe never had or simply want more of. This connection will forever elude us…if we ever lose sight of cooking’s fundamental importance to others.…never forgot for a moment what the work was all about: to cook for people and to make them happy.”
That’s what food is all about. And that’s what Rémy, the cutest rat in history of film, wants to do for people, and does with great success. He has pink ears, nose, and paws, and is great at using these to express emotion as only a rat might. I predict a huge surge in pet rats this year, as there were thousands of clown fish being acquired after “Finding Nemo”, and dalmations a decade earlier. The depiction of the food and the restaurant business in Ratatouille is flawless, and I dare say Rémy’s fur is more realistic than that of James P. "Sulley" Sullivan (or as I like to call him, “Kitty” in “Monsters, INC”.) Aforementioned Thomas Keller, chef/owner of French Laundry, served as an adviser on the film, providing his recipes for the dishes, as well as the model for the way the kitchen should be run. In return, to quote SFGate’s Stacy Finz “To pay homage to the cooking profession, the filmmakers used Keller's voice for the role of a restaurant patron. The French version of the movie has chef Guy Savoy playing the part; the Spanish one substitutes the voice of El Bulli chef Ferran Adria. In the British version, "The Naked Chef" Jamie Oliver has a cameo as the restaurant inspector.” My hero Tony Bourdain called this film “quite simply the best food movie ever made”, and anyone who has any modicum of interest in food (not even cooking, just eating well) should see it. I am done gushing now.